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| All Images: Cumberland Basin, Bristol, April 2023 - April 2024 |
Our situation today is to break down a door of knowledge hidden behind society, and the accreted scrawling at this site do appear to represent a cursive recuperation and remembrance of this forgetting. The axiom that rock art is notoriously difficult to date serves only to paint a partial picture of the inconsistent and contested chronological records, now that pigments and other materials can often be precisely dated with scientific techniques [e.g. Radiocarbon Dating or Accelerator Mass Spectometry]. What is incontestable is that the stylings identify as ‘Heritage Wild’ - a form of debased mannerism in which hardcore war went down, with markers against markers and letters against letters [pictograms are largely absent here]. Those who paused long enough performed a signature encoding, possibly hiding in a bush before run-ups, and the neural networking that occurs when we find ourselves creating in real time is none other than hyperspace. The inscriptions demonstrate stylistic evolution, from early blocking/balooning strategies to more refined flourishes [often ambiguous in terms of their general form]. They prioritise linear over polychromatic effects, using paints that scar, engine enamel, or - at the very least, matt black, punctuated with accents of white, red and yellow. Spray will go on everything when formulated with egg albumen, urine, blood, saliva or water, and an understanding of nozzle control apparently emerges early, even in primitive cultures.
Entropy prevails and accurate prediction of concrete aging must factor-in an innovative method, leveraging machine learning techniques [employing seven algorithms]. It isn't too long before concrete structures begin to show signs of aging and deterioration. In this sheltered location, the dressing and crisp junctures endure, and reduced ultra-violet levels within the cavern limit the fades. Nevertheless, time is fluid. The flows are inescapable, as is the case throughout. Their flux-value denotes the fraction of variance in the response feature that can be elucidated by the regression model. Chemical agents, such as acids and alkalis can also react. Extensive seepages are clearly defined with their various origin points and courses traceable through routine inspections and thorough documentation of residual beauty [both sub-aquatic and profound]. Note that he choice was made to exclude observations with missing value [editing phase]. The stainings and leachings originate in elevated run-off, but prefigure a greater liquid deteritorialisation through the rising of the levels [see draft mitigation proposals]. Condemnation awaits in suspension, particularly concerning chloride penetration.
The original system discouraged footfall, raising questions over the site’s actual function. It is not a matter of heritage policies only, but often involves other sectors. Some see it as a sacred location, accessed with deliberation and specifically set aside as the venue for a vast theoretical project developed over a lifetime that was mythos, cosmology and philosophical system all rolled into one. Others assert more direct territorial imperatives [the pissing of the nozzle, ancient hominid flag-planting, etc]. It is also impossible to overlook urban, educational, legislative, criminal, and other policies. These views are far from antithetical and non are precluded by drifting approaches. When dealing with the data gathering, a special interest should be placed on the content and possible motivation [possibly no more complex than a 2 year-old child that hasn’t learnt to share yet]. Certainly, the location of identity may be a particularly sacred tenet within the cultural branching represented, but over-coding is ceaseless in either event. Maybe ‘they’ should have tried some poems or something. Interestingly, we also see some cancellation attempts, constituting an interim palimpsestic erasure stage in the overall cycle. Light colours such as white or magnolia take at least two coats to cover and some products can be very strong and cause permanent damage. You have to find your way around, and deal with strange plants, predators and prey, but any visitors prepared to linger at the site [particularly those viewing the artwork under the flickering blue light of some magical emergency] will continue to take pictures, analyse and publicly ridicule.
Written without A.I. [For better or worse]
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