Noam Chomsky Addresses Occupy Boston, Dewey Square, 2011, (Photographer: Unknown) |
Not so long ago I had a
slightly perplexing day when three different people accused me of cynicism on
separate occasions. Perhaps I was just
having a bad day but it did make me reflect on how easy it can be to fall into
the habit of world-weary disappointment at the shortcomings of human behavior
and thus, to automatically expect the worst.
I guess we all label each other based on superficial impressions so I
shouldn’t be surprised if what one hopes is finely honed satire, heartfelt
concern or justifiable anger just looks like bleak negativity to others. In reality, it’s mostly a defence mechanism for
the vulnerable, I suspect. I thought
about the issues of optimism versus pessimism and irony versus sincerity again
recently in two different contexts, both reminding me that where there’s life,
and creative intent, there’s always hope.
This post is about the first.
I’ve just finished reading
Noam Chomsky’s little book ‘Occupy’ [1.]. Chomsky’s
championing of the Anti-Capitalist Occupy Movement should come as no surprise
given his well-established left wing credentials, and the book is a clear
attempt both to document the progress of Occupy’s recent organized challenges
to the status quo, (in The West at least), and to provide encouragement to
those seeking to take its initial idealistic impetus onto the next level of political
engagement. Of course, from one ideological
perspective, the cynic’s view of such demands for social or economic change is
to dismiss them as just the same old songs from a bunch of naïve urban
campers. Even from those more likely to
be sympathetic, it might just seem like something one might hope for in one’s
heart is inevitably overruled by the more realistic, if disappointed, head. One consequence of this may be a general
sense of powerlessness in the face of ever-greater degrees of hardship and
injustice. Another may be weary acceptance
of that what Mark Fisher has highlighted as the ‘Capitalist Realism’ orthodoxy [2.], (i.e. ‘just the way things are’). Either way, inertia is the likely result.
Occupy Protesters At Vietnam Memorial, Lower Manhattan, 2012. Photo: Anthony Lanzilote/New York Daily News |
Where I find Chomsky’s book
most encouraging is in highlighting that it is in multiple small, anonymous
acts of positivity or engagement that real hope for an alternative future may
be found and that progress may be incremental and relative rather than
necessarily revolutionary or Utopian, (even though they may be the initial
impulses). Using the examples of
Feminism, Anti-Vietnam War protest and The Civil Rights Movement he argues
that, whilst there are still plenty of causes for complaint, some progress was
made. More importantly still, he insists
that it’s through consistent voicing of discontent and ongoing consciousness-raising,
that the overall assumptions and agendas of power can be gradually shifted. No one would pretend Capitalism is about to cave
in just yet, at least before it has caused a lot more more harm. Nonetheless, the fact that many now recognise
it is in no way predicated on the greater good of the majority, and indeed the
self identification of the '99%', must surely begin to compromise its long-term integrity as a sustainable
system.
Howard Zinn, 1922 - 2010 |
Perhaps, the most moving section
of ‘Occupy’, and the crux of its message, is contained in the short chapter
memorialising his old friend and noted Civil Rights campaigner Howard Zinn. It includes the following
quotation by Zinn:
“TO BE HOPEFUL in bad times is not just foolishly
romantic. It is based on the fact that
human history is a history not only of cruelty, but also of compassion,
sacrifice, courage, kindness.
“What we choose to emphasize in this complex history
will determine our lives. If we see only
the worst, it destroys our capacity to do something. If we remember those times and places – and
there are so many – where people have behaved magnificently, this gives us the
energy to act, and at least the possibility of sending this spinning top of a
world in a different direction.
“And if we do act, in however a small way, we don’t
have to wait for some grand utopian future.
The future is an infinite succession of presents, and to live now as we
think human beings should live, in defiance of all that is bad around us, is
itself a marvelous victory” [3.].
Occupy Protester, Zuccotti Park, Manhattan, 2012. Photographer Unknown |
This may all sound like the
spent idealism of a previous generation but for those of us with a tendency
toward despair with each news bulletin, it is at least some kind of testament
of hope. I also think the idea of living
now, in a infinite succession of presents, as we think humans should, could be
extended to a range of human activities and certainly to the field of
creativity in general. Regardless of the
degree of direct political engagement one might incorporate into one’s artwork,
there is some validity in the old idea that any artistic activity is an
intrinsically political act. It is, at
source, an attempt to shape a better world, (however personal). Furthermore, the creative, entertaining and
inclusive aspect of many Occupy gestures, demonstrate that the desire to shape
the world expressively and the impulse to bring about social, economic or
political change are often very closely linked.
[1.]: Noam Chomsky, ‘Occupy’, London, Penguin Books, 2012.
[2.]: Mark Fisher, ‘Capitalist Realism: Is There No
Alternative?’, Ropley, Hants., Zer0
Books, 2012.
[3.]: Howard Zinn, ‘You Can’t Be Neutral On a Moving Train: A Personal History Of Our Times’,
Boston, MA., Beacon Press, 1994. Quoted
in: Noam Chomsky, ‘Occupy’, London,
Penguin Books, 2012.
I really liked the points made in this thoughful post
ReplyDeleteThanks. I don't always find it easy to order my thoughts clearly when writing this kind of stuff, so I'm glad at least some of them were communicated.
ReplyDeleteIf only we could all express ourselves as well as Howard Zinn did. Aside from the sentiments it conveys, I think that passage is really rather beautifully written.