Regular readers of this blog
will know I've been dipping in and out of Robert Smithson's collected writings
since the turn of the year. Having
read, (and re-read) my way to the end I found an intriguing snippet amongst the
closing unpublished work which relates to his 'A Tour of the Monuments ofPassaic, New Jersey' [1], - a piece that
inspires me enormously.
Robert Smithson, 'A Tour of the Monuments of Passaic New Jersey' New York, Artforum Magazine, December 1967 |
'See The Monuments of
Passaic New Jersey', also from 1967, takes the form of
a short press release or advertisement, though whether Smithson actually
conducted any such guided tours I know not…
Such artist or writer-led
tours with psychogeographic or other subjective intent seem increasingly
popular nowadays. It also relates
to a current artistic project that I am currently embarking upon. In fact, the approach that Smithson
took to interacting with a chosen locale in his original piece, along with the
writings of several other home-grown writers under the P-Geog. banner, have led
me to start my own in-depth, subjective investigation of a somewhat
overlooked quarter of Leicester.
Inevitably, I'll be posting
about it repeatedly in the future but, by way of a general introduction to it
all, here's my own little tribute to Smithson…
Ever Wonder If Midlands Towns Are As Dull As People Pretend?
Join Hugh Marwood in a subjective
exploration of the fascinating 'Flyovers District' around Leicester's Belgrave
Gate. Wander amongst stylistically varied polychromatic architecture and through the area's maze of
quaint side streets, small to medium businesses and private car parks. Gaze in awe at the dramatic elevated carriageways and road
systems that characterize this transitional area whilst marveling at the civil
engineering skills of old.
Together we will experience exciting psychic resonances, unexpected
conjunctions and startling juxtapositions within this rich and culturally
diverse environment. Artists,
Flâneurs, Dérivistes, Anthropologists, Industrial Historians, Philosophers and
Semioticians will all uncover a wealth of material to support their
studies. The casually curious will
discover an unexpected world of visual and sensory pleasure. Just minutes from the city centre, with
ample opportunities to discover your own time-limited on-street parking space. Bring your own camera, video or
sound-recording equipment, tablet device or notebook. For more information contact THE ARTIST or follow the
Leicester 'A-Z' map and your own intuition.
After participating in the 'If
A Picture Paints A Thousand Words…' exhibition last November, I
became intrigued by the possibility of augmenting my core painting activity
with work in other media.
Photography already plays a major role in my overall process but I'm
hoping that writing and possibly video or even sound-based work might start to
play a part in the future too.
Such aspirations will require me to become a little more
technologically (and possibly grammatically) savvy in order to fulfill them, and it's early days in what I hope will become a significant, multi-platform
project unfolding over the coming months.
However, after several weeks of consideration and a few exploratory
forays, I have taken numerous photographs and begun work on an initial painting
and a couple of written pieces.
Real life events have even made a dramatic contribution but more of that
another day.
As things stand, the two biggest impediments to progress are my rapidly decaying knee joints and this interminable winter weather. However, all I can do is pray for spring to arrive, seek medical intervention and persevere.
[1.]: Robert Smithson, ‘A Tour of the Monuments of Passaic New Jersey’, 1967, In Jack Flam (Ed.), ‘Robert Smithson: The Collected Writings’, Berkeley, University of California Press, 1996
[2.]: Robert Smithson, ‘See
the Monuments of Passaic New Jersey’,
1967, In Jack Flam (Ed.), ‘Robert Smithson: The Collected Writings’, Berkeley, University of California Press, 1996
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