Currently Untitled, (Work In Progress), Salvaged Cardboard Box, MDF, Screen-Print, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
My apologies for
the paucity of posts, over recent weeks.
The reason is simply that I’ve chosen to spend every valuable spare hour
getting stuck into my work – tending to neglect various other duties as a
consequence. However, there’s only so
long I can expect the select few who actually take an interest in my creative
efforts (for which - many thanks), to stay engaged without at least something new
to look at. Here then, are some current work
in progress shots – to give a few clues, at the very least.
Currently Untitled, (Work In Progress), Salvaged Cardboard Box, MDF, Screen-Print, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
I may have
mentioned a little while back that I was entering the sculptural phase of my
ongoing ‘This S(c)eptic Isle’
project, and it appears I’m now well and truly dug in. Working sculpturally is something of a
departure for me - even if (as ever) what I choose to call sculpture is really just
another bastardised, hybrid form of expression.
Indeed, what you see in these images is probably closer to someone like
Robert Rauschenberg’s reconfiguration of street detritus than anything remotely
resembling traditional sculpture per se.
Cardboard Boxes In Various States of Development (Work In Progress), Salvaged Cardboard Boxes, MDF, Screen-Print, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
Cardboard Boxes In Various States of Development (Work In Progress), Salvaged Cardboard Boxes, MDF, Screen-Print, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
Cardboard Boxes In Various States of Development (Work In Progress), Salvaged Cardboard Boxes, MDF, Screen-Print, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
Rauschenberg also
famously worked with found cardboard boxes, although, in my defense, they have
been a key motif in my own project from the start. Either way, I’m doing my best to avoid simply
aping him, and hopefully, it’s already apparent that my formal intentions and
deliberate attention to treated surfaces, are leading me in a slightly
different direction.
Cardboard Box Monolith, Experimental Mock-Up, (Work In Progress) |
Proposed Cardboard Box Monolith, Experimental Mock-Up (Work In Progress) |
Proposed Cardboard Box Monolith, Experimental Mock-Up (work In Progress) |
Proposed Cardboard Box Monolith, Experimental Mock-Up (Work In Progress) |
Of course, the
other point about working sculpturally is that there tends to be far more hard
manual graft (and hours) involved, than with painting. In case you’re wondering what all the fuss is
about, each cardboard box is being given an internal MDF armature (essentially
a box within the box). I’m also getting
through numerous rolls of brown gum strip, and many litres of PVA adhesive in
an attempt to subtly modify the outer surfaces beyond their purely raw state.
Cardboard Boxes In Various States of Development (Work In Progress), Salvaged Cardboard Boxes, MDF, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
Cardboard Box Monolith, Experimental Mock-Up, (Work In Progress) |
And the other
reason for all this accelerating activity?
It’s now confirmed that I will be exhibiting again in mid September, in
another joint show with my erstwhile partners in crime, Shaun Morris and Andrew
Smith. The show will be at Nottingham’s
Surface Gallery, but more about all that when the time actually comes. For now - those boxes won’t stack
themselves…
Treated Cardboard Box Surfaces (Detail), (Work In Progress), Salvaged Cardboard Boxes, MDF, Paper Collage, Acrylics, French Polish, P.V.A., Adhesive Packing Tape |
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