Sunday 2 March 2014

Down The Peninsula 2: 'Greater Love Hath No Man'




Levant Mine Ruins, Pendeen, Cornwall, February 2014


During my recent short break in West Cornwall, the most visually dramatic evidence of the region’s changing economic fortunes came at Pendeen, on the coast  to the north of Land's End, where I spent an afternoon wandering amongst the remains of the old Geevor and Levant copper and tin mines.  Pendeen was the first Cornish destination I experienced, being the site of an annual field trip for first year Fine Art students at Bristol Polytechnic.  After all these years, I still respond to the lack of quaintness or pretention that befit its identity as an ex-mining village and typify this stretch of rugged coast in general.



Geevor Mine, Pendeen, Cornwall, February 2014


Levant Mine Ruins, Pendeen, Cornwall, February 2014


For me, this site is best approached via Lower Boscaswell, where one passes through a somewhat bleak housing estate, (built for the post-war workforce at Geevor, I guess).  Beyond this, and an intervening field, lies the Coast Path and a wrecked landscape of broken filter beds, ruined buildings and scree slopes, all teetering above perilous cliffs.  The waves at Levant Zawn seem angry in any weather, and somehow redefine the term ‘precarious’.



Levant Mine Ruins, Pendeen, Cornwall, February 2014


Approached from this direction, it’s a little while before one comes across the first information plaque revealing that, predictably, you’ve actually strayed into another industrial heritage visitor attraction.  Of course, this only really speaks of Cornwall’s changing economy and current reliance on the tourist Pound/Euro and, thankfully, much of the outdoor site has been left relatively untouched to slip into fascinating dereliction.  Staring at isolated, patches of exposed Victorian floor tiles and fragmented industrial architecture, I found myself fantasising about Andrei Tarkowski’s film ‘Stalker’, [1.], and reflecting again on the whole issue of ‘Ruin Porn’ alluded to in Bradley Garrett’s book, ‘Explore Everything’ [2.].



Levant Mine Ruins, Pendeen, Cornwall, February 2014


Despite that, it was impossible to resist the call of the picturesque, and to indulge myself in the effects of reflected sunlight on standing water and the totemic qualities of dramatic concrete columns.  I even succumbed to the archetypal Cornish motif of the little Victorian engine house on the road back to Pendeen, (where a National Trust plaque is the real giveaway).  Sue me, - sometimes the clichés are just too tempting.




Levant Mine Ruins, Pendeen, Cornwall, February 2014


Ironically, a sense of perspective on all this was actually afforded at the main site, via interpretation plaques detailing the famous Levant mining disaster of 1919 and the harsh conditions endured by the workforce, (including women and children), at the height of the mine’s prosperity.  They are a reminder that, beyond all artistic affectations and the perpetual search for a resonant image, real lives were lost, or else lived out in hard labour, in places like this.




Levant Mine Ruins, Pendeen, Cornwall, February 2014


Back in Mousehole lies further evidence of the hardships inherent in this marginal landscape.  The loss of 16 lives, being those aboard the stricken freighter, ‘MV Union Star’, and the 8-man local volunteer crew of the Penlee lifeboat, ‘Solomon Brown’, in hurricane conditions on 19 December 1981, is well documented, and was a pivotal moment in the village’s history.  Coincidentally, my own first Cornish stay mentioned above, was only a few months later.  Whilst I didn’t visit the actual village then, I do remember the slightly stunned atmosphere that still pervaded the whole area at the time.  One of the lost lifeboat crew, Charles Greenhaugh, was also landlord of the harbourside Ship Inn, which now carries a memorial plaque, with the memorable phrase “Greater love hath no man”.  There are more, typically modest memorials up the road at the now empty boathouse from which ‘Solomon Brown’ launched that night into truly foul weather.


Charles Greenhaugh's Memorial Plaque, Ship Inn, Mousehole, Cornwall


Memorials To Those Lost In The Penlee Lifeboat Disaster, Penlee Point
Lifeboat Station, Cornwall

Boat Slip, Penlee Point Lifeboat Station, Cornwall, February 2014


Though not always one for tales of conventional heroism, I never fail to be turned over by accounts of the bravery and sheer, bloody-minded refusal to back down in the face of impossible conditions, demonstrated by Coxswain, Travelyan Richards and his crew.  They went willingly where no one else could in an attempt to save lives, and ultimately to their own deaths.  Their last message was the matter of fact observation, “We’ve got four off”, at which point they went back for the remaining four crew members.  In the words of Helicopter Pilot, Ltn. Cdr. Smith, USN,

“The greatest act of courage that I have ever seen, and am ever likely to see, was the penultimate courage and dedication shown by the Penlee [crew] when it manoeuvred back alongside the casualty in over 60 ft breakers and rescuing four people shortly after the Penlee had been bashed on top of the casualty’s hatch covers.  They were truly the bravest eight men I’ve ever seen who were also totally dedicated to upholding the highest standards of the RNLI.” [3.].



The crew of 'Solomon Brown', Unidentified News Report, 1981

Wreckage Of 'MV Union Star', Near Lamorna Cove, Cornwall

Penlee Point Lifeboat Station, Cornwall. February 2014


The last few remaining, and generally elderly, true locals in Mousehole can sometimes have a reputation for seeming brusque or resentful.  If that is in part due to seeing a once-viable community fragment before an influx of occasional visitors (guilty) and property price-inflating second-homers, - perhaps it’s understandable.  Indeed, the Penlee tragedy could even be seen as one of the last times there was anything like an extensive native community capable of cohering around such an event.  I do know that, if you were in real trouble, you’d want people like their lost contemporaries to come looking for you.






RNLI lifeboats are still crewed by volunteers  and depend on charitable donations.  Think on...




[1.]:  Andrei Tarkovski (Dir.), 'Stalker', 1979, Mosfilm Studio.

[2.]:  Bradley L Garrett, 'Explore Everything: Place Hacking The City', London, Verso.

[3.]:  Quoted in:  Nicholas Leach, 'Cornwall's Lifeboat Heritage',  Chacewater, Twelveheads Press, 2000.




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