Thursday, 27 February 2014

Down The Peninsula 1: Respite




Pretty Windy Then?  Sennen, February, 2014


I haven’t managed much in the way of proper holidays away from the Midlands over the last couple of years.  Generally, I’ve devoted my free time to trying to progress my artwork or investigating environments relatively close at hand.  However, as 2013 unfolded, I did have had the sense of being a bit stuck or maybe just too thinly spread, creatively.  My activities never actually stopped but I’ve had a sense of blundering around without making any significant breakthroughs for much of the year.


Jubilee Pool, Penzance, February 2014
Jubilee Pool, Penzance, February 2014


Consequently, as the year turned, I planned the trip to Cornwall from which I recently returned, if only to gain a fresh perspective on a slightly stale situation from a location not obviously connected with my current work.  I’ve visited the village of Mousehole, (‘Mowzle’), repeatedly over decades, and witnessed the changes that have gradually overtaken it since the mid 1980s.  It still has plenty to recommend it for a short break, and offered a proven, easily achievable opportunity to relax and clear my head, (and lungs, - after all those hours breathing exhaust fumes under Leicester flyovers).


Penzance Harbour, February 2014


For a while, it looked like the heavy-duty weather of recent weeks might jeapordise my travel plans, and when I came down with a virus just before my departure day, I felt events conspiring against me.  In the event, I made it there, albeit a couple of days late, and after driving down in wind and heavy rain, was delighted when the clouds parted to bathe the last few miles of my journey in glistening sunlight.  The rest of the week saw a perfectly tolerable mix of sun, showers and much calmer seas than those that battered the Cornish coast in recent weeks.


Mousehole Harbour, February 2014
Mousehole Harbour, February 2014


It might have been exciting to capture some of that action on camera, but the legacy of closed roads, smashed sea walls and scattered debris between Penzance and Newlyn demonstrated that this winter’s storms had been no joke.  Footage of waves overwhelming Newlyn Bridge are pretty chastening too, given that I leant on the parapet to chew a pasty just a few days later.  A mile or two down the coast, Mousehole’s small harbour had fared slightly better but it was alarming to discover three of the massive wooden beams that barricade the harbor mouth, discarded on the beach after being broken in the turmoil.




Newlyn, February 2014
Wherrytown, Penzance, February 2014
Penzance Harbour, February 2014


The long-term climatic implications of this winter’s weather feel all too real but, in the short term, the disruption is perhaps easier for phlegmatic Cornish locals to rationalise than for the outraged middle class victims of Thames Valley flooding, (to whom bad things aren’t supposed to happen, - let’s face it).  Remote from the rest of England and thrusting into the Atlantic, geography and an industrial heritage of fishing, mining and small-scale agriculture mean that life there was always lived out in the face of the elements.  Of course, it could be argued that, of late, the real jeopardy for locals has lain in the realities of scraping a living in England’s poorest county now that those old industries are so denuded.


Penzance, February 2014
Jubilee Pool, Penzance, February 2014


As my artistic concerns are mainly urban these days, Cornwall no longer provides a source of primary subject matter as it once might have.  However, even on the level of routine photographic image harvesting, (which really is just an ongoing habit wherever I go), it seems important to make some account of the intrinsic precariousness of existence there.  The documentary recording of the storm damage, and the repairs now getting under way, were an obvious response to that.  Perhaps most poignant is the damage to the charming old lido at Penzance whose future is now clearly under threat due to the expense of securing it.


Jubilee Pool, Penzance, February 2014
Wherrytown, Penzance, February 2014


More oblique, are the shots that deal with the routine processes of entropy and dilapidation to which I’m always drawn in the city, but which inevitably become even more picturesque in a wet and salt-laden, maritime environment.  Related to this are the visual delights associated with routine commercial activities in still-working harbours.  Having taken the camera around the Newlyn quays repeatedly in the past, this time I explored the Penzance dockside where, amongst other things, I found pleasing allusions to the functional role of paint in battling the elements.


Penzance Harbour, February 2014
Penzance Harbour, February 2014
Wherrytown, Penzance, February 2014
Biological Insights, Sand On Painted Panel, Wherrytown, Penzance, February 2014


Further along, the dilapidated blue-painted façade of an abandoned building provided an opportunity for geometric formalism, (and some inventive, if offensive, sand graffitti), while out in the sticks, a sub-theme of elderly or retired petrol stations emerged.  The later might be seen to allude to one’s dependence on, (and the attendant running costs of), reliable vehicular transport in such an environment, or to the carbon-fuelled climatic changes responsible for this winter’s weather.  In the interests of balance though, I should also mention the number of times on my trip I sat behind slow moving buses on narrow roads.  It seems that public transport still struggles on in West Cornwall, (for now), along with an apparent determination to patch up the storm damage and get on with life.



Newbridge, February 2014
Pendeen, February 2014
Penzance Harbour, February 2014




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